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Newasa - Encountering an unique form of Vishnu, and Sant Jnaneshwar

The year was 1290 . A crowd had gathered around a clearing, where broken down pillars marked the presence of an ancient temple, now long gone. A young boy, just 14 years old, leaned against one of those pillars, deep in thought. Then, he began speaking, and the crowd fell silent, listening to his every word. He spoke without any notes, translating the Bhagavat Gita, from Sanskrit, which only the pundits knew, to the language everyone in the village knew and spoke – a variety of Prakrit which developed into the Marathi language. Even as he spoke, one of the men in the audience realized how momentous this event was, and how important this composition would be. He began writing down the words the young boy spoke, and this composition was named by its author and composer, the Bhavartha Deepika – the enlightening meaning (of the Bhagavat Gita). Now, the ancient, holy text, was no longer restricted to the pundits, but accessible to all, understood easily by them, composed as it was, in their...

More Temples at Pattadakal

The World Heritage Site of Pattadakal deserves more than just a cursory glance. There is so much to see and appreciate, and even during our short visit to the place, I clicked so many photos that I found it impossible to put all of them together in one post! Here are my first two posts on the temple complex at Pattadakal -

Continuing with our walk through the temple complex, we next arrived at the Chandrashekhara Temple. The plain and simple structure is the one which attracts least number of visitors, and consequently, is empty and easy to photograph!



The next temple is a striking one, the first here with the dravida vimana, the southern type of temple spire.



This is the Sangameshwara Temple, originally known as the Vijayeshwara temple, since it was built by the Chalukya king, Vijayaditya.





Look at the intricate lattices on the walls! No pattern is repeated! Some of the niches are empty, while some have figures of different forms of Shiva as well as Vishnu.Unfortunately, some of the niches are also empty, and some of the figures are incomplete. 

Detail of the vimana

The saga of incomplete work is evident all over this temple. Such as these on the base platform. It shows us how the artisans would have begun their work, and also tells us that the work was abandoned due to some reason. 

Another incomplete set of work
Outside this temple was a broken pillar, set at a lower level, in a depression. I wondered if it was a dhwajasthambam or temple pillar, but our guide wasn't able to shed much light on it.

Samhith standing next to the broken pillar...
he is about 4 ft tall, so that depression is at least 3 ft in depth!

Detail at the bottom of the pillar
Considering the rate at which I am going, I wonder when I am going to finish this series, but I can't help wanting to post almost every single photo I have taken! 

Coming up next: Some of the most beautiful temples at Pattadakal!


Pattadakal  Quick Facts
Getting there:
Nearest Airport: Hubli (about  120 Km )
Nearest Railway Station: Badami (29 Km)
Pattadakal is well connected by road to Badami (29 Km) and Aihole (24 Km).
Where to stay: There is practically no accommodation available at Pattadakal. The nearest city is Badami, where the KSRTC Mayura Chalukya is the best option. There are also other hotels and lodges in Badami. 

Comments

  1. Another lovely set of images Anu! 

    ReplyDelete
  2. Superb & informative post. Once again enjoyed the virtual photo tour.

    ReplyDelete
  3. Excellent images and information.

    ReplyDelete
  4. Very informative.

    ReplyDelete
  5. Nice photos...great blog! keep it up!

    ReplyDelete
  6. Nice blog about Pattadakal, great Pictures :-) keep it up,
    Also I read information about pattadakal at site:
    http://www.ijaunt.com/karnataka/pattadkal,

    ReplyDelete
  7. Nice post.. Keep up the good work.

    ReplyDelete

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