The year was 1290 . A crowd had gathered around a clearing, where broken down pillars marked the presence of an ancient temple, now long gone. A young boy, just 14 years old, leaned against one of those pillars, deep in thought. Then, he began speaking, and the crowd fell silent, listening to his every word. He spoke without any notes, translating the Bhagavat Gita, from Sanskrit, which only the pundits knew, to the language everyone in the village knew and spoke – a variety of Prakrit which developed into the Marathi language. Even as he spoke, one of the men in the audience realized how momentous this event was, and how important this composition would be. He began writing down the words the young boy spoke, and this composition was named by its author and composer, the Bhavartha Deepika – the enlightening meaning (of the Bhagavat Gita). Now, the ancient, holy text, was no longer restricted to the pundits, but accessible to all, understood easily by them, composed as it was, in their...
It’s been a while since I wrote about my Sewri Walk with the Travel-Logs.
My short trip to Coorg and all the unfinished work I found when I got back,
resulted in the blog being neglected for quite a while. My son’s holidays begin
next week, which implies that I will have even less time for the blog, so here
is the next part in the Storming Sewri Series –
Flamingoes and the Fort – these were the two things I could
count among the things I knew about Sewri. It was only when I ventured with our
informative guides further inland, towards the heart of Sewri, that I realised
just how little I knew about my city. Our first stop was at the Sewri Christian Cemetery.
I have only been inside one cemetery in my life – the Banganga Goswami Cemetery, where Shankar’s great-grandfather, who took Sanyas (renounced
the world), is buried. You can read the post I wrote about it here. The Sewri
cemetery was the first Christian cemetery I was visiting, and frankly speaking,
I was completely overwhelmed!
I wish I could show you the cemetery as it is....unfortunately,
photography isn’t allowed, so I just have to describe it as well as I can....
Close your eyes then, and think of a simple, unpretentious gate. At first
glance, it looks like a garden. It was, after all, a garden at one time –
belonging to the Horticultural Society, and converted into a cemetery following
the plague epidemic in the late 19th century.
A path runs through the land, dividing people, even in death. One
side is for the Catholics, the other for Protestants. The division doesn’t end
there. Rich and poor alike might all turn to dust at the end of the day, but
status and wealth does seem to linger on, seen in the tombstones and the space
chosen for the resting places. Amidst the intricately carved tombstones lie
nameless ones, simply marked. Family vaults tell us of generations who lived
and died here, while angels atop tiny graves mark the place where children
rest, having seen too little of life.
Amidst the unknown and faceless are people whose names live
long beyond their life spans. Here lies Frederick William Stevens, architect of
the Victoria Terminus (now Chhatrapati Shivaji Terminus). His grave is simple,
and it is only by blowing away the dust that we can read his name. In a farther
corner is George Wittet, the architect of the Gateway of India. Also here is
Joseph Baptista, who was the Mayor of Mumbai in 1925, but who, more
interestingly, was the lawyer who defended Veer Savarakar. He was also a labour
leader who took up the case of the mill workers. In such august company are
also recent personages, such as Francis Newton Souza, the artist, and Dom
Moraes.
Walking through a cemetery is something that, not unnaturally,
brings up thoughts of death. Being a Hindu, I am so much more comfortable with
the idea of turning into ashes, and reuniting with the elements, my name etched
in memories, rather than on stones. However, there is no escaping the fact that
tombstones do serve a purpose – as milestones in the path of history.
Coming up: The final part on the Storming Sewri series.
Nice post on an interesting place.
ReplyDeletehttp://rajniranjandas.blogspot.in/2013/04/jain-temples-of-wayanad.html
Thanks so much, Niranjan!
DeleteHi,
ReplyDeleteIt's a wonderful place and I have shot some images there a long time back when they allowed cameras in. However, I didn't click many then :(
here are few images:
http://www.mumbaipaused.blogspot.in/2012/11/shivdi.html
http://www.mumbaipaused.blogspot.in/2011/08/colaba-causeway-sewri.html
http://www.mumbaipaused.blogspot.in/2011/08/sakharam-lanjekar-marg-sewri-christian.html
Thanks so, so much for sending me the links.... I dont know how I managed to miss these posts on your blog... Its such a fascinating place, and I would love to know so much more about the people buried there. Wish they would allow us to click photos again.
DeleteSounds like a walk and exploration right up my street, Anu. :-)
ReplyDeleteI completely support the decision to now allow photography inside the cemetery as I have seen too many places like these turn into stomping grounds for photographers to display their skills. At a recent walk in Bandra that took us through the St. Andrew's Church in Bandra, members of my group just walked over graves in their quest to get that perfect shot. One of them actually climbed up on a grave to photograph a neighbouring grave !
You were the first person I thought of, when I visited this place, Sudha. You will love it!!! as to photography, i know, and agree with you... its sad to see photographers behave so irresponsibly. probably the reason is that these days, anyone with a camera is a photographer!
DeleteHello,
ReplyDeleteThis is a wonderful post. It does truly take you back to the cemetery.
Being an avid explorer of lesser known places in the city myself too, I thought i would tell you about Jewish cemeteries in the city as well. There is one at Cinchpokli, Worli and Mazgoan. And at the Worli one, you can manage to sneak in some photos while at the Cinchpokli one which is right outside the station itself, it is allowed. It is somehow beautifully peaceful to be in the cemetary...not at all haunting or eerie.
I remember having read about an Western Railway man ,who chose to sleep on the cemetery ground, for years.
ReplyDelete