The year was 1290 . A crowd had gathered around a clearing, where broken down pillars marked the presence of an ancient temple, now long gone. A young boy, just 14 years old, leaned against one of those pillars, deep in thought. Then, he began speaking, and the crowd fell silent, listening to his every word. He spoke without any notes, translating the Bhagavat Gita, from Sanskrit, which only the pundits knew, to the language everyone in the village knew and spoke – a variety of Prakrit which developed into the Marathi language. Even as he spoke, one of the men in the audience realized how momentous this event was, and how important this composition would be. He began writing down the words the young boy spoke, and this composition was named by its author and composer, the Bhavartha Deepika – the enlightening meaning (of the Bhagavat Gita). Now, the ancient, holy text, was no longer restricted to the pundits, but accessible to all, understood easily by them, composed as it was, in their
I was going through my photos and wondering what to post today for Navaratri. And I found this... from the outer wall of the Vitthala Temple at Hampi...
When we think of dancing with sticks, we think of Garba during Navaratri in Gujarat. But such forms of dancing aren't confined to Gujarat alone. Down south, the same is called 'Kolattam', which literally translates to 'dancing with sticks'!! And this is what is depicted here. Doesn't it look beautiful???
Interestingly, if you look closer, you will notice that, on the right, the last figure isn't a girl. It is a boy, holding what looks like a trumpet in one hand and a drum in the other! It is such small details which make these temples so special!
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