The year was 1290 . A crowd had gathered around a clearing, where broken down pillars marked the presence of an ancient temple, now long gone. A young boy, just 14 years old, leaned against one of those pillars, deep in thought. Then, he began speaking, and the crowd fell silent, listening to his every word. He spoke without any notes, translating the Bhagavat Gita, from Sanskrit, which only the pundits knew, to the language everyone in the village knew and spoke – a variety of Prakrit which developed into the Marathi language. Even as he spoke, one of the men in the audience realized how momentous this event was, and how important this composition would be. He began writing down the words the young boy spoke, and this composition was named by its author and composer, the Bhavartha Deepika – the enlightening meaning (of the Bhagavat Gita). Now, the ancient, holy text, was no longer restricted to the pundits, but accessible to all, understood easily by them, composed as it was, in their...
I have written about the temples of Khajuraho, and as the philosophy behind them. Yet, there is so much more to see and appreciate, so let me show you the temples through a different lens - by taking you on a visual journey of the temples through their amazing sculptures, identifying some of the many forms in which deities are portrayed. I begin with the various Forms of Vishnu......
There are 10 temples dedicated to Vishnu at Khajuraho. It is, therefore no surprise, that there are so many forms of Vishnu to be seen! The most impressive of course, is the Vaikunta Vishnu, that I have already written about. He is, however, still the most fascinating form of Vishnu, so I begin the post with him.....
The concept of Vaikunta Vishnu is integral to the Pancharatra system of Vaishnavism, which came from Kashmir. He is visualised with four heads, three of them visible - the human one in front, and on two sides, the boar (varaha) and the lion (Narasimha), the two most important forms, according to the Pancharatra philosphy. The fourth head, which isn't visible, is behind - the Kapila or the terrible face. The different avatars emerge from one aspect of this cosmic form of Vishnu, which are then depicted all around the central figure, as well as all over the temple.
Among the Dashavatars, which are the most commonly seen forms of Vishnu, Matsya and Kurma are mainly seen around idols of Vishnu, while Varaha, Narasimha and Vamana are seen in the niches around the temple as well. Both, Varaha and Vamana have temples dedicated to them as well. Among the rest, Parasurama, Balarama and Krishna are seen on the interior walls of the temple (which I have no photos of, due to the low light), and Rama is hardly seen, as is Kalki. It would appear that the acharyas who designed the temples focussed only on the early avatars of the Lord.
Avatars on the sanctum door of the Lakshmana Temple. From the bottom, Matsya as fish, with the 4 Vedas seen as 4 heads, Varaha as the boar, and Vamana the dwarf. |
Varaha is one of the most depicted avatars in Khajuraho. To begin with, there is the massive Varaha in the temple dedicated to him.
The most gorgeous Varaha at Khajuraho, in the Varaha Temple |
Varaha on the inner wall of the sanctum of the Lakshmana Temple |
Yet another Varaha, from the Vamana Temple in the Eastern Group. |
These are just a few of the Varahas at Khajuraho... samples, so to speak, from some of the temples. Why was this great importance given to Varaha? Probably because he is associated with Bhudevi or Earth, and therefore, Land. The Chandela Kings probably associated themselves with him when they conquered kingdoms. The Varaha temple, for instance, was built in AD 950, to celebrate the Chandela king Yashovarman's victory over his Pratihara overlord. The King, thus seems to be comparing himself to Varaha, saving the earth from the reign of the evil demon (enemy king) he has defeated!
Narasimha is only seen in a few temple niches. A terribly mutilated, multi-armed Narasimha lies in the Museum. We can only imagine how majestic he would have looked!
Narasimha from the new museum at Khajuraho.. I have never seen a Narasimha with such numerous arms, have you? I can count almost 48 in all! |
Vamana is the only other Avatar of Vishnu enshrined in a temple. And interestingly, it is only his dwarfish form which is seen, both inside and outside the temple. His cosmic form, as Trivikrama is only seen in a few instances, as in the the panel of Varaha from the Chitragupta Temple.
Vamana, from the hall of the Lakshmana Temple. He is not as detailed as the earlier pic, but the style is clearly the same. |
As I have already mentioned, Parasurama, Rama, Balarama and Krishna are seen in some of the panels inside the Lakshmana Temple. However, due to low light, I do not have any photographs. The exception is this one...
While we are used to thinking of the 10 avatars as the only forms of Vishnu, there are many more we see in Khajuraho, of which the most important and interesting one is Hayagriva, where the Lord is seen with the face of a horse. It is believed that He took this form to retrieve the Vedas stolen by a demon, who also had the face of a horse. I have seen this depiction only in the South, so it was quite a surprise to see him here, and that too accorded the special place in a niche just outside the sanctum!
Vishnu is not often seen in a Yogic posture, but at Khajuraho he is often seen in this form too. These two panels are from the sanctum of the Lakshmana temple, where Vishnu is seen seated in a Yogic posture, as Narayana, surrounded by his devotees, who are trying different methods to attain his blessings. These two panels, along with two others, which I do not have photos of, are extremely interesting, and you should read Dr. Devangana Desai's book on Khajuraho to know more about them.
Vishnu in Yogic Posture, from the VamanaTemple |
There are other forms in which Vishnu is seen too.... For example, at the Chaturbhuj Temple, he is enshrined in the sanctum in the form of an ascetic.
Standing Vishnu, on one of the subsidiary shrines of the Lakshmana Temple |
Vishnu seated on Garuda, Kandariya Mahadev Temple |
Unique, 11 headed Vishnu, Chitragupta Temple. |
Vishnu is most often seen alone, unlike Shiva, who is often depicted with Parvati as Uma-Maheshwara. Here, however, there are many instances where he is seen with Lakshmi, both of them entwined with each other, just like Shiva and Parvati.
Vishnu with Lakshmi, or Lakshmi-Narayana, from the Kandariya Mahadev Temple |
Lakshmi Narayana, from the Javari Temple |
These are just some of the forms of Vishnu at Khajuraho. As you can see from the images, it is the size, depiction and placement that determine his importance in the pantheon, though He is seen in both, Vaishnava as well as Shaiva Temples.
Is the same true for Forms of Shiva as well? Wait for my next post to find out!
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Thank you Anushankarn for sharing. Indeed it was useful information about khajuraho. keep up the work, Appreciate the time taken to share the valuable info with the visitors like us.
ReplyDeleteYOu are welcome, Divya.. and thanks so much for the appreciation. It is a pleasure to share the wonderful things I see all over India with readers like you, and I relive the experience as I write such posts.
DeleteLoved this post Anu. The details are very informative. Next time I visit a temple, I will look out for these details.
ReplyDeleteThank you so much, Lata! I am sure you will notice so many more details next time you visit a temple. and i look forward to reading your posts about them!
DeleteVery nice post for sharing with us,Thanks allot!. Many People Really don't Know about khajuraho.How our ancient ART crafted that time.So it is useful information about khajuraho. Appreciating Your Post again.Most people like your post
ReplyDeleteThanks
Priyanka
Thank you so much, Priyanka. Its sad that people don't see this side of Khajuraho at all, and my series of posts are simply my way of bringing this side to the forefront. Hope more people begin to see the details and enjoy them as well.
DeleteThought provoking observation on the Dashavatars. Is it possible that the Dashavatars as we know them today had not yet crystallised? And that other avatars, like Hayagriva were more prominent? Later avatars like 'Buddha' and Kalki hadn't yet taken root?
ReplyDeletePS: I loved the depiction of the Matsya Avatar.
Thank you Sudha. We do know that the Dashavatars were created putting together different cults of worship, but the question is when. I too have been wondering if the Khajuraho temples were created sometime in between... when Varaha, Narasimha and Vamana were important, and Rama and Krishna were less known, and Kalki hadnt even been imagined.
DeleteAs for Matsya, now you know why I am so fascinated!